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Delfeayo Marsalis tunes us up for a lesson on Jazz and Life // Sound Check with Delfeayo Marsalis

Delfeayo Marsalis tunes us up for a lesson on Jazz and Life //  Sound Check with Delfeayo Marsalis

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TitleDelfeayo Marsalis tunes us up for a lesson on Jazz and Life // Sound Check with Delfeayo Marsalis
Authorblacktreetv
Duration24:18
File FormatMP3 / MP4
Original URL https://youtube.com/watch?v=Mp3WsNiduQo

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#DelfeayoMarsalis
#Jazz
#JazzMusic

Delfeayo Marsalis sits down for an exclusive interview for the African Diaspora Consortium Exchange

Delfeayo Marsalis (pronounced DEL-fee oh) is one of the top trombonists, composers and producers in jazz today. Known for his “technical excellence, inventive mind and frequent touches of humor…” (Leonard Feather, Los Angeles Times), he is “…one of the best, most imaginative and musical of the trombonists of his generation.” (Philip Elwood, San Francisco Examiner.) In January 2011, Delfeayo and the Marsalis family (father Ellis and brothers Branford, Wynton and Jason) earned the nation’s highest jazz honor – a National Endowment for the Arts Jazz Masters Award. Born in New Orleans on July 28, 1965, Marsalis was destined to a life in music. “I remember my dad (Ellis Marsalis) playing piano at the house, and me laying underneath the piano as a child, listening to him play. After briefly trying bass and drums, in sixth grade I gravitated towards the trombone, which was an extension of my personality. .” Early influences included J.J. Johnson, Curtis Fuller, Al Grey, Tyree Glenn, Tommy Dorsey and Ellington’s trombone masters. Marsalis attended the New Orleans Center for Creative Arts high school, was classically trained at the Eastern Music Festival and Tanglewood Institute, and majored in both performance and audio production at Berklee College of Music. He earned a Masters degree in jazz performance at the University of Louisville and was conferred a doctorate by New England College. About the time that he first started playing trombone, Marsalis was already greatly interested in the recording process. “Branford showed me how to create a feedback loop on a reel to reel machine and I was hooked! When I was in seventh grade, Wynton challenged me to create home recordings of him that had the same quality as trumpet virtuoso Maurice Andre's classical studio recordings. It was all trial and error and I discovered a process and logic that I still use while recording today.” Delfeayo recorded demo tapes for his brothers and schoolmates and served an internship at (pianist Allen Toussaint’s) Sea Saint Studio. From the age of 17 until the present, he has produced over 100 recordings for major artists including Harry Connick, Jr, Spike Lee, Terence Blanchard, the Preservation Hall Jazz Band and his father and brothers. Marsalis is an exceptional trombonist who has toured internationally with his own groups, as well as those led by five renowned bandleaders. “Art Blakey taught me patience and purpose in soloing; Abdullah Ibrahim's sense of harmony is prevalent in much of my music; Slide Hampton inspired me with his extraordinary command of the trombone and the language of jazz; and Max Roach played with conviction and dexterity all the time. Elvin Jones (who is featured on Delfeayo’s 2006 CD Minions Dominion) taught me about humanity, expressing myself through music, and most importantly, how to keep time.” The lessons of these legendary artists can be heard throughout Delfeayo’s compositions and improvisations still today. BlackTree TV is your premier destination for the best in entertainment, culture, and lifestyle content. With a focus on in-depth interviews, exclusive coverage, and a dedication to showcasing diverse voices and stories, BlackTree TV brings you closer to the icons and influencers shaping our world. From the red carpet to behind-the-scenes, BlackTree TV provides an insider's view into the magic of movies, music, fashion, and more. For more exclusive content, interviews, and in-depth coverage, subscribe to our channel and follow us on our journey to celebrate the art of storytelling.

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